Art and fashion Essay Example | Topics and Well Written Essays - 2000 words

finesse and fashion - Essay ExampleMannequins such as the Siegel-Vigneau had very seductive with undeniably lifelike bodies significantly contri simplyed to the success of social as fountainhead as cultural reconstruction. Surrealists perceived women as in an erotic and decadent disguises who were actually predators in life of men due to their passive sex as well as accessibility which prompts men to be attracted to the female bodies. Female bodies were turned into elements amongst the surrealists because a body could also attract attention and communicating information. A body could reveal some of the most hidden intends buns its restructuring. Most images were therefore belonged to the repertoire of surrealists although some of them lost their origin in favor of sex appeal. familiar appeal of a womans body was crucial since a woman was considered a informal object whose life is engrossed exclusively with sexuality (Emanuel 2006). Initially, mannequins were so heavy and were more unrealistic creations which were do of wax and could melt in the summer heat. However the understanding of women psychology led to great imperfections that do mannequins look like real women bodies. It should be noted that surrealism became very prevalent in 1930s peculiarly to the public where their artwork became the model for international exhibitions. Visual style artwork became dominated the period amid 1930 and 1935 by Dali and Magritte. During this period art served a significant purpose as a way of side that included hallucinatory imagery (Beck 2007). Surrealism came up with visual techniques that incorporated giving ordinary objects their usual meaning so that they could compel to the public. Audiences empathy would therefore be aroused because of the image characteristics which were more than simply ordinary formal organization. 1930s was characterized with stylistic evolution that included a mixture of depictive and the stirred elements which were very necess ary in influencing an audience. Mannequins actually reflected fashion models but some of the headless mannequins represented would afford someone think that it had been sliced thus representing scene of a brutal war (Stewart 2008). Mannequins were made to capable position makers form thus reverting them to look like shop mannequins. knock off mannequins were however not made to represent any form of personality or lifestyle but simply to show the outline of the garment. This was really amazing because the objects simply drew attention to how they were created rather than the dress they were wearing (Emanuel 2006). Someone would not think much about the garments on the display despite belt up imitation of the tailor or designers dummy. Representation of the mannequin to the clients became very important thence prompting the introduction of heads and limbs to the headless and limbless mannequins. The most appealing mannequins were the ones which were introduced in the 1930s whi ch had movable limbs do them seem as if they were engaging in some activities. Movements of the limbs proved useful in representation of the lifestyle (Thesander 1997). Surrealists greatly incorporated art into life by relating subject and object in their work. The mannequins were greatly intentional by artists who made them look like body objects. Mannequins were nicely used to define surrealism since it